Four printmakers who make the cut…

Art blogger Ruth Millington recently featured four regional printmakers who are inspired by the canal network of the Midlands.

“Their prints picture narrowboats passing by the backyards of abandoned, industrial factories and the atmospheric architecture of bridges, junctions and tunnels reflected in locks.”

Ruth’s appraisal of the work of Paul Hipkiss, Lynn Jeffery, Peter Shread, and Eric Gaskell is reproduced below, with her permission. She was recently shortlisted for a UK Blog Award in the Arts and Culture category.

Paul Hipkiss-Tividale Aqueduct Over the Netherton Tunnel Branch Canal - Copy
Tividale Aqueduct Over the Netherton Tunnel Branch Canal © The Estate of Paul Hipkiss

Paul Hipkiss RBSA

Paul Hipkiss originally trained in ceramics and lithography at Stourbridge College of Art. It was in the early 1980s that he was inspired to become a printmaker, after attending a print weekend at Westhill College in 1984 where Michael Rothenstein was the keynote speaker.

Paul Hipkiss has worked across a range of printmaking techniques, including dry-point, relief printing, collagraph and linocuts. He is known primarily for his images of industrial scenes and architecture, as well as his lifelong fascination with canals in the Midlands, stemming from his Black Country roots.

Paul’s work has a poetic, brooding and atmospheric quality to it. In his images of the canals, viewers are drawn in by his varied and unusual viewpoints, through tunnels, and across arched bridges. There is an intricate and almost fragile quality to the stems of branches and rhythmic, repeated brickwork reflected in the waterways.

Paul has shown his work in many prestigious exhibitions, including the Royal Academy Summer Exhibition in 2011, 2012, 2013 and 2014. Several years ago Paul was one of a group of RBSA artists who joined together for an exhibition entitled Black Country Visions, which was first shown at the Royal Birmingham Society of Artists Gallery and then at Dudley and Wednesbury Municipal Art Galleries.

In 2013 four of his prints were included, as an example of contemporary practice, in the Exhibition at Wolverhampton Art Gallery Edwin Butler Bayliss, Poet Painter of the Black Country. In 2001, he was elected as a member of the Royal Birmingham Society of Artists and was their Honorary Curator until he sadly passed away in 2017.


The Cube © Lynn Jeffery

Lynn Jeffery RBSA

Born in Liverpool, Lynn Jeffery now lives in Cradley Heath. She studied printmaking and photography at St. Katharine’s College, before combining an art teaching career with her creative practice in the Midlands.

Coming from a photographic background, Lynn has built up a large collection of photographic images; whilst most have stayed as photographs, others have become parts of her prints on to which she then works with painted ink.

Her unique pieces of work are arrangements of overlaid objects and images, with many featuring the architecture surrounding Birmingham’ canals, imagined in pure blocks of vibrant colour: blues, yellow and touches of red.

Her prints feature view upwards from the historic canal network now defined by modern architecture and the geometric skyline of Birmingham’s city centre, including iconic buildings such as The Cube, towering tall.

“I have always recorded places and events. Urban environments are lost without warning, when regeneration takes place…My prints are usually screen prints, which use a mixture of photographic and hand cut stencils, plus some block printing from found objects. Editions have a slight variation because I overlay and rub back into the pictures to make more individual pieces. I enjoy working in Liverpool, Birmingham and The Black Country”.

Lynn Jeffery is a member of the RBSA Gallery in Birmingham, where she regularly exhibits her work. You can view her profile here. She is also a member of the Midland Printmakers group.

Netherton Canal © Peter Shread

Peter Shread RBSA

Peter Shread was born in Birmingham and trained at Moseley School of Art and Birmingham College of Art.

Peter produces relief woodcut and linocut prints, and many include images onto which he adds just a few blocks of colour, printed in sequence, one colour over another until the image is complete.

Starting in the 1990s, Peter has produced a whole series of prints inspired by the extensive canal networks of the Black Country, in which there is a strong decorative quality with distinctive lines repeated across the print. These outlines create a sense of movement, echoing the dynamism of the Vorticists’ geometric style, which Peter admires. Peter’s dramatic imagery of the canals focuses on changes in light and colour, moving reflections on the water or shadows falling onto the pathways.

Peter is a member of the RBSA and Midland Printmakers. He has exhibited widely, including at the Royal Academy, and has won a number of prizes including the Manchester Academy Prize and the First Prize in the RBSA Open Print Exhibition. He was asked to deliver a public art commission for Midland Metro stations.



Eric Gaskell ARBSA

Eric Gaskell studied painting and printmaking at Wigan College and Sunderland University. He explains that drawing is key to his practice, and starts by sketching from life, which allows him to explore ideas, structure and composition before starting his print.

He works primarily with linocuts to produce simple yet striking prints. His bold black and white images are defined by the rhythmic patterns of nature, and the textures and patterns of the pathways, trees and lock gates.

His artwork combines all elements of the canal environment, balanced against one another, nature meeting and echoing the forms of man-made structures. In other works he includes strong blocks of colour, adding one layer at a time to the print, which can take many weeks. The addition of colour develops the image, giving it a more symbolic quality, whilst retaining the immediate, graphic appearance.

“I was brought up near canals, swimming and fishing in them as a child, and watching the coal barges chug past. I wanted to produce a series of works from all over the canal system, but in a different light to the traditional canal drawing or painting.

“I believe the graphic nature of the varying elements that make up the canal environments best suits a simple, bold linoprint style. The textures and patterns of the pathways, trees and lock gates, the swirling waters as the locks empty, the calm as they wait to be used, and the buildings and bridges that give our canals a backdrop. All these elements twist and blend to create simple yet striking prints. Each linoprint is handcut, handprinted, numbered and signed, by me”

– Eric Gaskell.


Eric Gaskell is currently exhibiting at the RBSA, and you can also find him on Youtube, where he shows in short videos, such as ‘The Regent’s Canal’, how he creates his linocuts, showing the proofs, blocks and process. He has also produced an illustrated book of his canal linocuts, which you can buy here.

By Ruth Millington


ruth photo

Ruth Millington is an art historian, arts writer and blogger based in Birmingham. She specialises in modern and contemporary art, and during postgraduate study at the University of Oxford researched the influence of fairy tales on contemporary women artists including Paula Rego, Kiki Smith and Cindy Sherman. She has had work featured in a variety of publications, from ArtsBrum to the Telegraph, and blogs about Birmingham-based artists and exhibitions on


Call for Entries

The Royal Birmingham Society of Artists has a current call for entries, so if you’re a printmaker who would benefit from a £1000 prize and the chance to exhibit at a premiere Midlands gallery then get submitting!

The current Call for Entries for their Print Prize Exhibition runs until 4pm on Wednesday May 23.

    • Why not help celebrate contemporary printmaking across the UK and be in the running for a top prize of £1,000?
    • Open to all artists: go to the  RBSA website  where you’ll find more information and the application pack.
    • This year’s exhibition will be selected by Mychael Barratt, Past President of the Royal Society of Painter-Printmakers, and Leonie Bradley, Editor of Printmaking Today.

Art with a social conscience: Linda Nevill’s prizewinning work

Linda Nevill, 'Homed and Homeless'
‘Homed and Homeless’


It was a scene Wolverhampton artist Linda Nevill couldn’t ignore.

‘I saw a few small bright blue tents erected at a canalside in winter – temporary homes for homeless people. In the distance behind the tents stood blocks of flats. The following week the tents had gone.’

Linda’s etching Homed and Homeless provides a silent commentary on the times, and won the Elsie Holland prize for outstanding work in a recent exhibition at Wolverhampton Art Gallery.

‘The scene stayed with me,’ she remembers. ‘It was the inequalities represented that made an impression on me.’

Linda has exhibited in cities across the globe, and finds she is often drawn to social themes and political issues.

‘I have been working as an artist for about 30 years, responding to a range of influences from the world around me. Sometimes these are social issues: homelessness, war, isolation, domestic violence.

‘At other times I explore atmosphere, light, moods and memories of landscape.’

Linda employs various printmaking techniques: etching, monotype, collograph and lino. Each piece she creates goes through several painstaking processes to achieve the final result. Homed and Homeless was no exception.

‘A few weeks later I had another look at the sketch that I’d done and the photos I’d taken…

‘Back in the studio I painted my image onto aluminium plate with instant coffee and a Chinese brush, covered it with etching ground, baked it, immersed the cooled plate in warm water, and rubbed the surface with my fingers.

‘Like magic, the image appeared.’


Linda uses instant coffee to create painterly marks, reproducing the physicality she enjoys when painting with oil.

‘I like the unpredictability of printmaking processes. On the one hand I want control over what I am creating, but at the same time I relish the unknown and the unexpected things that regularly happen.

‘There is also the excitement of the reveal when I peel back the paper from the plate to see my image.

‘Through my choice of subject matter, composition, colour and mark making, I aim to convey the intensity of my feelings to others.’

Linda in her studio using her etching press
Linda at work in her studio, using her etching press



Linda studied History of Art at the University of Edinburgh and Printmaking at the University of Wolverhampton. She taught Printmaking and History of Art for many years and has valued the opportunity to exchange ideas with the next generation of artists. 

She recently exhibited at the Asylum Gallery, Wolverhampton, and her work ‘On Bare Mountain’ is held in the Victoria and Albert Museum’s permanent collection. She also exhibits regularly with the RBSA and WSA.

A drypoint with chine collé ‘From Here to There’ is part of the permanent collection of the Printmakers Council. Linda has also exhibited with the Society of Women Artists.

Her work ‘War and Emergency’ has been touring for over two years as part of the ‘Re-Imagining the Laws of England and Wales’ exhibition, and is at the Herefordshire Archive and Records Centre until 24 November.

BA Hons Printmaking, University of Wolverhampton
Post Graduate Certificate of Education, University of Wolverhampton
MA Hons History of Art, University of Edinburgh

Selected Short Courses 
2007 New Grounds Print Workshop, Albuquerque, New Mexico, USA: studying photopolymer gravure and solar printing
2003 Non-toxic Intaglio Printmaking with Keith Howard, Dumfries, Scotland
2004 Monoprinting using Rostow and Jung’s non-toxic Akua Inks with Susan Rostow, New York, USA

Grants and Awards

2017 Elsie Holland Prize for outstanding artwork

2007 Arts Council Travel Grant to research fascinating old gas stations, motels, diners and signs: investigating the legendary Route 66 in Arizona and New Mexico, USA, and creating solar prints in Albuquerque